Selected texts by Alexander Adams (print format only)

*  =  notable article

 

2004    “Cause for Concern”, Printmaking Today, journal, vol. 13, no. 2, Summer 2004, London; June

2005    “The Painter-Printmaker is Not Allowed”, The Jackdaw, newsletter, no. 47, London; April

2006*  “Melancholy of the Modern”, The Jackdaw, no. 60, ; July/August

2006*  “The Art of Entropy”, The Jackdaw, no. 61, London; September

2006    letter (editing of Rothko’s writing), The Jackdaw, newsletter, no. 62, London; October

2006*  “The Fine Arts in Wales”, Cambria, magazine, vol. 8, no. 4, October–November, Carmarthen, Wales; October

2007    review, IQ, magazine, no. 5, Spring 2007, Bristol; February

2007    “Traces of Life”, The Jackdaw, no. 69, p. 22; June

2007    “Masquerade: The Work of James Ensor”, The Jackdaw, no. 71, p. 11; September

2007    “Lost in Bulgaria”, The Jackdaw, newsletter, no. 73, p. 17; November

2008*  “Pre-emptive Censorship” (Hans Bellmer), The Jackdaw, no. 75, p. 12; February

2008    “Piranesi”, Print Quarterly, journal, volume XXV number 1, London; March

2008    review, IQ, no.7, spring 2008; March

2008    “Creepy Kinder”, Garageland, magazine, issue six, London; April

2008    “Trevor Allen, 1939-2008”, The Jackdaw, no. 78, pp. 24-5; May

2008    “Trevor Allen”, Printmaking Today, vol. 17, no. 2, Summer; June

2008    “Gustav Klimt: Painting, Design and Modern Life in Vienna 1900”, The Jackdaw, no. 80, pp. 20-1; July

2008    “The Artist’s Larder” (sketchbooks), The Jackdaw, no. 81, p. 15; September

2008    “Solitary figures in a landscape” (Sean Henry), The Art Newspaper, London, Vol. XVII, no. 194; September

2008    “Issues in Curating Contemporary Art and Performance” IQ; September

2008    “Size Matters” (monumental prints), The Art Newspaper, Vol. XVII, no. 195; October

2008    “Dark Marks” (Rothko), The Jackdaw, no. 82, p.6; November

2008    “Matthias Grünewald: Die Zeichnungen/Drawings/Dessins”, The Art Book, journal, volume 15 issue 4, London; November

2008    “Cabinet of Curiosities”, Printmaking Today, vol. 17, no. 4; December

2008    “The Monotype”, Printmaking Today, journal, vol. 17, no. 4; December

2009    “Giacometti the Egyptian”, The Jackdaw, no. 83, p. 11; January

2009    “Lights, Canvas, Action!”, The Art Book, vol. 16, no. 1; February

2009    “After Kafka”, The Warwick Review, vol. III, no. 1, Warwick; March

2009*  “Lucian Freud, Accidental Mannerist”, The Jackdaw, no. 84, pp. 8-9; March

2009    interview with Ian Davenport, Printmaking Today, vol. 16, no. 1; March

2009    “Richard Serra: Druckgrafik/Prints/Estampes”, Printmaking Today, vol. 16, no. 1; March

2009    “Fade to Grisaille” (Rogier van der Weyden), The Jackdaw, no. 85, pp. 12-3; May

2009    “Francis Bacon” , The Art Book, vol.16, no. 2, London; May

2009    “Ad Reinhardt”, The Art Book, vol.16, no. 2, London; May

2009    “Kafka: The Office Writings”, The Warwick Review, vol. III, no. 2; June

2009    “Bouguereau of the Post-Modern” (Glenn Brown), The Jackdaw, no. 86, pp. 12-3; July

2009    “Berlin Diary” & “Cyril Power Linocuts”, Printmaking Today, vol. 18, no. 2; June

2009* “Surrealism in all its Weird Glory”, The Financial Times, (online edition), London; 9 July

2009    “Magritte. La Periode Vache”, The Art Book, vol. 16, no. 3; August

2009    “Stolen”, The Art Book, vol. 16, no. 3; August

2009    “Lost in Brussels” (Musée Magritte), The Jackdaw, no.87, pp. 10-1; September

2009    letter (glicée prints), The Jackdaw, no.87, p. 21; September

2009    “The secular high priest of realist mystical painting” (Gerhard Richter), The Art Newspaper, vol. XVIII no. 205; September

2009    letters, Funds Europe, London; October

2009    “An artist who outlived himself?” (James Ensor), The Art Newspaper, vol. XVIII no. 207; November

2009    “The Polymorphous Perverse”, The Jackdaw, no. 88, p. 9; November

2009    “Basil Beattie and Ian McKeever”, The Burlington Magazine, no. 1280 vol. CLI, London; November

2009*  “The Conjuror Concealed by his Assistants” (Gerhard Richter), The Art Newspaper, vol. XVIII no. 208; December

2010    “The Painter of Ideas”, The Jackdaw, no. 89, p. 17; January

2010    interview with Ian McKeever, The Art Book, vol. 17, no. 1; February

2010    “Saint Gerhard” (Gerhard Richter), The Art Book, vol. 17, no. 1; February

2010    “Picasso Lithographs”, The Art Book, vol. 17, no. 1; February

2010*  “Whatever Happened to the Sutherland Bequest?”, The Jackdaw, no. 90, pp. 10-1; March

2010    “The Art of the Printmaker 1500-1860”, Printmaking Today, vol. 19 no. 1, Spring; April

2010    “Black Flame” (Arshile Gorky, Van Doesburg, Paul Nash), The Jackdaw, no. 91, pp. 10-5, May

2010    “Ingres Unveiled”, The Art Book, vol. 17 issue 2; May

2010    “Ian McKeever” (review), The Art Book, vol. 17 issue 2; May

2010    “The Prints of Anni Albers”, Printmaking Today, ; May

2010    “Sphinx: The Life and Art of Leonor Fini”, The Burlington Magazine, no. 1286, vol. CLII; May

2010    “Monumental Prints in the Age of Louis XIV”, The Art Newspaper, no. 214; June

2010    “Spread the word” (Varna Print Biennale), Printmaking Today, vol. 19 no. 2, Summer 2010, July

2010    “Christen Købke”, “Anthony Caro” & “Angela de la Cruz: Art Prostrate and Pitiful”, The Jackdaw, no. 92 pp. 14-5; May

2010    “Hans Bellmer and Louise Bourgeois”, The Burlington Magazine, no. 1288, vol. CLII; July

2010    “John Armstrong”, The Art Newspaper, no. 215, July/August 2010

2010    “An Avaricious Eye: Adolph Menzel” & statement, The Jackdaw, no. 93, p. 15; September

2010    “Bridget Riley”, Printmaking Today, vol. 19 no. 3, Autumn; September

2010    “Paint and Ink: Artists’ Letters”, The Art Book, November

2010    “Anthony Caro”, The Art Book, November 2010

2010    “Vermeer: Early, Late and in Fractions”, The Jackdaw, no. 94, pp. 12-4; November

2010    “Larkin’s Letters to Monica”, The Warwick Review, vol. IV, no. 4; December

2010    “What Dreams May Come” (Paul Delvaux), Apollo, London; December

2010    “Josef Albers”, Printmaking Today; December

2010    “Senefelder Restored”, Printmaking Today; December

2010*  “The Belgian Blake” (Musées Wiertz and Meunier), The Jackdaw, no. 95, pp. 14-5; January

2011    letter (Tom Lubbock), The Independent, London; 11 January 

2011*  “The new art critics should mind their language”, The Art Newspaper, no. 222; February

2011    “Tom Lubbock”, The Jackdaw, no. 96; March

2011* “Paul Delvaux, Radical Classicist”, The Jackdaw, no. 96, p. 18-9; March

2011    “Tonalism”, The Art Newspaper, Vol. XX, no. 222; March

2011    “At heart, a graphic artist” (Max Beckmann), The Art Newspaper; Vol. XX, no. 223; April

2011    “The Sutherland Bequest”, The Jackdaw, no. 97, p. 16; May

2011    “Jenny Saville and the Theatre of Self-Importance”, The Jackdaw, no. 97, p. 12; May

2011    “Berlin Donation”, The Jackdaw, no. 97, p.28; May

2011*  “Why Printed Art Reviews Matter despite the Rise of the Internet”, Artwatch UK Journal, London; May

2011    “Postcard from Berlin”, Art of England, magazine, issue 82, Stafford, pp. 66-7; June

2011    “The Painter-Priest” (Malevich), The Art Newspaper; May

2011    “How Magritte Made Ends Meet”, The Art Newspaper, Vol. XX, no. 225; June

2011    “Konrad Witz”, The Art Newspaper, Vol. XX, no. 225; June

2011    “Art for Sale”, The Art Newspaper; Vol. XX, no. 225; June

2011    “The Relics of St Joan” (Miró), The Jackdaw, no. 98, pp. 10-1; July

2011    “The Public Catalogue Foundation”, The Jackdaw, no. 98, p. 11; July

2011    “Dresden’s Print Story” (Dresdner Kupferstich-Kabinett), Printmaking Today; vol. 20, no. 2, Autumn; September

2011    “Lost in Liverpool” (Post-Impressionism and Magritte), The Jackdaw, no. 99, pp. 18-9; September

2011    “Norwegian and Swiss Landscape Paintings”, The Jackdaw, no. 99, p. 19; September

2011    “Speaking for Vasari”, The Jackdaw, no. 99, p. 32; September

2011    “Notable Belgians” (prints in Brussels), Printmaking Today, vol. 20, no. 4, Winter; December

2011    “Lost in New York” (De Kooning & Ingres), The Jackdaw, no. 100, pp. 12-3; December

2011    letter, The Jackdaw, no. 100, p. 25; December

2011* “Lee Krasner”, The Art Newspaper, vol. XX, no. 230; December

2011    “Philip Guston”, The Art Newspaper, vol. XX, no. 230; December

2011    “Drawn to Line” (Picasso), Apollo, vol. CLXXIV, no. 593; December

2012    “A Living Art” (Johann Zoffany), The Jackdaw, no. 101, pp. 12-3; January

2012    “Crystal Bridges Museum of American Art”, The Jackdaw, no. 101; January

2012* “The Richters Richter Didn’t Want You to See”, The Art Newspaper, vol. XX no. 231; January

2012    “Collecting Artist’s Prints”, The Art Investor, no. 1, London; February

2012    “Rebel on the Margins” (Edward Burra), The Art Newspaper, vol. XX no. 232; February

2012    “David Jones”, The British Art Journal, London, vol. XII, no. 3; February

2012* “David Lynch: Lithos”, Print Quarterly, vol. XXIX no. 1; March

2012    “Ronald S Lauder Collection, Neue Galerie, New York”, The Jackdaw, no. 102, pp. 16-7; March

2012    “A Disciplined Diet of Colour” (Josef Albers), Apollo, vol. CLXXV, no. 597, pp. 90-1; April

2012    “Lost in Paris” (Musées Bourdelle, Maillol and Rodin), The Jackdaw, no. 103, pp. 18-9; May

2012    letter (British abstract painting at the Tate Gallery), The Jackdaw, no. 103, p. 27; May

2012    “Genius Redefined” (Van Gogh), Apollo, vol. CLXXV, no. 598, pp. 100-1; May

2012    “Musée Gravelines”, Printmaking Today, Summer, Vol. 21, No. 2; June

2012    “Lost in Vienna” (Klimt, Schiele), The Jackdaw, no. 104, pp. 16-7; July

2012    “Sheer Sensuality” (Klimt), Apollo, vol. CLXXVI, no. 600, pp. 98-9; July

2012    “The Invention of Colour” (Heinrich Kuehn), The Art Newspaper, vol. XXI, no. 238; September

2012    “A Million on Paper” (Dali fake prints & Arp), The Jackdaw, no. 105, pp. 10-1; September

2012    “More Misses than Hits” (Sam Francis), The Art Newspaper, vol. XXII, no. 239; October

2012    “Earlier British Paintings at the Walker Art Gallery”, The British Art Journal, vol. XIII, no. 2, Autumn 2012; October

2012    letter (vandalism of Rothko painting), The Independent, 11 October 2012

2012    “Malevich Restorations Questioned”, ArtWatch UK Journal, Winter, No. 28, pp. 19-20; December

2012* “Kitaj Redux”, The Jackdaw, no. 106, pp. 28-9; November

2012    “Deaccessioning in the USA”, The Jackdaw, no. 106; November

2012    “Towards Realism” (Van Eyck), Apollo, Vol. CLXXVI, No. 604; December

2012    “Practical Advice for Artists: Part 1”, Artists & Illustrators, magazine, London, no. 230; December

2012    “Meandering Journey” (F.E. McWilliam), The Art Newspaper, vol. XXII, no. 241; December

2012    “Beth Van Hoesen”, Printmaking Today, Winter, Vol. 21 No. 4; December

2013    “The Whole Dali”, Apollo, Vol. CLXXVI, No. 606; February

2013    “Practical Advice for Artists: Part 2”, Artists & Illustrators, no. 231; January

2013    “The Third Man” (Raphael), The Jackdaw, no. 107, pp.16-7; January

2013    “Keith Vaughan”, The Jackdaw, no. 107, p. 7; January

2013    “Practical Advice for Artists: Part 3”, Artists & Illustrators, no. 232; February

2013    “Vasari’s fingerprints on art”, The Art Newspaper, vol. XXII, no. 243; February

2013    Paul Cézanne, The Jackdaw, no. 108, p. 17; March

2013    “Flame and Flower” (Delacroix), The Jackdaw, no. 108, p.18-9; March

2013*  “All Smoke and Mirrors?” (Attribution and Value), The Art Newspaper, vol. XXII, no. 244; March

2013    “Realism and Beyond” (Prunella Clough), The Art Newspaper; vol. XXII, no. 244; March

2013    “The Irresistible Lure of the Human Figure” (Atul Vohora), The Art Newspaper, vol. XXII, no. 244; March

2013    Anya Gallaccio, The British Art Journal, vo. XIII no. 3, Winter 2012/2013; April

2013* “Athletic Congress…in Belgium” (Musée Rops and erotic art), The Jackdaw, no. 109, pp. 13-5; May

2013    letter (Rothko vandalism), The Jackdaw, no. 109, p.28; May

2013    “Van Gogh Rejuvenated”, Apollo, ; June

2013    watercolour sketchbooks, Artists & Illustrators, issue 328; July

2013    Gerhard Richter, The Art Newspaper, New York & Hong Kong Art Basel editions; July

2013    “Lost in Amsterdam” (Rijksmuseum and Stedelijk Museum), The Jackdaw, no. 110, pp.12-4; July

2013    “Van Gogh Analysed”, The Jackdaw, no. 110, p.51; July

2013    Titian, The Jackdaw, no. 110, p. 27; July

2013    Yale Center for British Art, Printmaking Today, Summer issue

2013    “Great Scott” (William Scott catalogue raisonné), The Art Newspaper, Vol. XXIII, no. 250; October

2013    Robert Motherwell catalogue raisonné, The Art Newspaper, ; November

2013    Luc Tuymans, Print Quarterly, vol. XXX, no. 4;

2013    Giorgio Morandi and Patrick Caulfield, The Jackdaw, no. 111, pp. 10-12; September

2013    “Lost in Denmark”, The Jackdaw, no. 112, pp. 14-5; November

2013    “Minister for Disturbance” (Asger Jorn), The Jackdaw, no. 112, pp. 16-7; November

2013    Basil Beattie, The British Art Journal, vol. XIV no. 2, Autumn 2013; November

2014    Paul Klee, The Jackdaw, no. 113, pp.8-9; January

2014    “Painted photographs and evolutionary Richter” (Gerhard Richter and Photorealism), The Art Newspaper, vol. XXIII no. 253; January

2014    Günther Förg, The Art Newspaper, vol. XXIII no. 253; January

2014    Brian Rice (catalogue raisonné of prints), Printmaking Today, Spring issue; March

2014    Giorgio de Chirico, The Jackdaw, no. 114, pp. 16-8; March

2014    Basil Beattie, The Jackdaw, no. 114, pp. 16-8; March

2014    Brian Rice (paintings), The Jackdaw, no. 114, pp. 16-8; March

2014*  “Censoring Balthus was Shameful” (pre-emptive censorship), The Art Newspaper, ; March

2014    Brian Horton, The Art Newspaper; ; March

2014    Letters of William S. Burroughs, Beatscene, Coventry; March

2014    “When Diversity is a Disguise of Conformity”, The Art Newspaper, Hong Kong Art Fair edition; May

2014    letter, The Jackdaw, no. 115, p. 33; May

2014    “Heart of Darkness” (Eugène Géricault), The Jackdaw, no. 115, pp. 20-2; May

2014    “Zurbarán: Art and Morality”, The Jackdaw, no. 115, pp. 22-3; May

2014    Andreas Schlueter, Apollo, ; May

2014    “Against Exceptionalism”, The Jackdaw, no. 116, p. 10-1; July

2014    “Love on an Iron Cross” (Marsden Hartley), The Jackdaw, no. 116, p. 15; July

2014    “Museums in Brussels”, The Jackdaw, no. 116; July

2014    Paul Delvaux, Apollo, ; July

2014    Giorgio de Chirico, The Art Newspaper, ; September

2014    “Flesh Crystallised in Stone” (Carpeaux), The Jackdaw, no. 117, p. 12; September

2014    “What is Art?” (Tolstoy), The Jackdaw, no. 117, p. 17; September

2014    Richard Wilson, The Jackdaw, no. 117; September

2014    “Lost in Hamburg” (Max Beckmann), The Jackdaw, no. 118, pp. 12-3; November

2014    “Struggle Over de Chirico’s Difficult Legacy”, The Jackdaw, no. 118, pp. 13-4; November

2014    “Renoir in Switzerland”, The Jackdaw, no. 118; November

2014    letter, The Jackdaw, no. 118; November

2014    Constant Meunier, The Burlington Magazine, ; November

2014*  “Balthus: Art and Morality”, The Art Newspaper, ;

2014* “Conservation in the Age of Conceptual Art”, ArtWatch UK Journal, no. 29, p.14-5; Spring

2014    Matisse cut-outs, The Art Newspaper, ;

2014    Hans Purrmann catalogue raisonné, The Art Newspaper, ;

2014    Lynn Chadwick catalogue raisonné, The British Art Journal, vol. XV no. 2; pp. 129-130; December

2014    Alan Reynolds, The British Art Journal, vol. XV no. 2; pp. 132-3; December

2014    Darren Almond, The British Art Journal, vol. XV no. 2; p. 131; December

2014    Paul Nash, The British Art Journal, vol. XV no. 2; p. 127-8; December

2015    “Muscle Memory” (Egon Schiele), The Jackdaw, no. 119, p. 10-1; January

2015    JCC Dahl and CD Friedrich, The Jackdaw, no. 119, p. 12; January

2015    “All Flesh is Grass” (Rubens, Paul Delvaux and Berlinde de Bruyckere), The Jackdaw, no. 119, p. 12-5; January

2015    “Complex talent needs greater understanding” (Asger Jorn), The Art Newspaper, ; April

2015    “Two Pictures in Detail” (James Ensor and Pieter Bruegel), The Jackdaw, no. 121, pp. 20-1; May/June

2015    “Our God is Light” (Pierre Bonnard), The Jackdaw, no. 121, pp.15-6; May/June

2015*  “Islamism and the Arts”, The Jackdaw, no. 121, pp. 24-7; May/June

2015    “Moreau, the mystic of Montmartre”, The Art Newspaper, vol. XXIV no. 268, pp. 74; May

2015    “The art of the teacher” (Hans Hofmann catalogue raisonné), The Art Newspaper, vol. XXIV no. 269, p. 100; June

2015    Terry Winters print catalogue raisonné, Printmaking Today, vol. 24, no. 2, Summer 2015, pp. 40-1; June

2015    Ian Davenport interview, Printmaking Today, vol. 24, no. 2, Summer, pp. 6-7; June

2015    “The Naked and the Dead” (Francis Bacon), The Jackdaw, no. 122, pp. 36-7; July/August

2015    Julian Barnes, The Jackdaw, no. 122, p. 39; July/August

2015    “Portrait of the jeering artist as a young gent” (Francis Picabia catalogue raisonné vol. 1), The Art Newspaper, Vol. XXIV, no. 270, p. 54; July/August

2015    James Turrell, Print Quarterly, vol. XXXII, no. 3, pp. 344-5; September

2015    Leeds Art School, The British Art Journal, vol. XVI, no. 2, Autumn 2015, p. 127; September

2015    “Out of the Web” (Jackson Pollock), The Jackdaw, no. 123, pp. 27-8; September/October

2015    Max Beckmann, The Jackdaw, no. 123, p. 21; September/October

2015    “Prud’hon’s Drawing Technique”, The Jackdaw, no. 123, p. 28; September

2015    Graham Sutherland, The British Art Journal, vol. XVI no. 2, Autumn 2015, pp. 125-6; September

2015    Philip Guston print catalogue raisonné, Printmaking Today, Vol. 24, No. 3, Autumn 2015, pp. 40-1; September

2015    “Pollock Restored, Re-restored”, ArtWatch UK Journal, no. 30, Autumn 2015, pp.

18-9; November

2015    “When fame trumped political engagement” (Gerhard Richter catalogue raisonné vol. 4), The Art Newspaper, no. 273, p.68; November

2015    letter, The Independent, October/November

2015    “Precious Metal” (silverpoints), The Jackdaw, no. 124, p. 20-2; November/December

2015    “Lost in Eindhoven”, The Jackdaw, no. 124, p. 22; November/December

2015    “Munch : Van Gogh”, The Burlington Magazine, no. 1353 vol. CLVII, pp. 878-9; December

2015    “Treasures on Trust” (Städel Museum prints), Printmaking Today, vol. 24 no. 4, Winter 2015, pp. 32 ; December

2016    “A Human and Fluctuating Core” (Alberto Giacometti), The Jackdaw, no. 125,

p. 22-4; January/February

2016    “Nervia/École de Saint-Martin-Laethem”, The Jackdaw, no. 125, p. 23-4; January/February

2016    “Karel Appel and Jean Dubuffet”, The Jackdaw, no. 125, p. 24; January/February

2016    “Francis Bacon Late Paintings”, The British Art Journal, vol. XVI, no. 3, winter 2015/6, p. 124-5; January

2016    Frank Auerbach, The British Art Journal, vol. XVI, no. 3, winter 2015/6, pp. 125-6; January

2016    David Inshaw, The British Art Journal, vol. XVI, no. 3, winter 2015/6, pp. 126-7; January

2016    “More than dust on the surface” (Liotard and pastel art), The Art Newspaper, vol. XXV, no. 276, p.56; February

2016    “Welsh landscape” (dictionary of artists in Wales), The Art Newspaper, no. 277, p. 65; March

2016    “Brimstone and Birches” (Eugene Delacroix & Nikolai Astrup), The Jackdaw, no. 126, p.14-6; March

2016    René Magritte, The Jackdaw, no. 126, p. 16; March.

2016    letter, The Jackdaw, no. 126, p. 23; March.

2016    “History of Revolution” (Steendrukmuseum Eindhoven), Printmaking Today, vol. 25 no. 1, Spring 2016, p. 32; April

2016    “Earthly Delights” (Hieronymous Bosch exhibition and catalogue raisonné), The Jackdaw, no. 127, pp. 12-8; May

2016    “A sickly flower of Decadent London” (Aubrey Beardsley catalogue raisonné), The Art Newspaper, vol. XXV, no. 280, p. 61; June

2016    Lord Frederic Leighton, The British Art Journal, vol. XVII, no. 1, Spring 2016, p. 145; June

2016    “All Together Now” (Francis Bacon catalogue raisonné), The Art Newspaper, no. 281, p. 45; July

2016    “The Visitors’ Book”, The Art Newspaper, no. 281, p. 45; July

2016    “Degas monotypes”, The Burlington Magazine, vol. CLVIII, no. 1360, pp. 589-90; July

2016    “The Visitors’ Book”, The Jackdaw, no. 128, p. 12; July

2016    “Lost in Philadelphia and New York” (Barnes Collection, Kircher), The Jackdaw, no. 128, pp. 16-8; July

2016    Philip Guston, The Jackdaw, no. 128, p. 20; June

2016    “Despair, pleasure and pride” (Eva Hesse diaries), The Art Newspaper, Vol. XXV, no. 282, p. 62; September

2016    “A Temple to Knowledge” (New York Public Library print collection), Printmaking Today, Vol. 25 no. 3, p. 32, Autumn; September

2016    Peter Lanyon, The British Art Journal, Vol. XVII no. 2, Autumn, p. 79; October

2016    Ivon Hitchens, The British Art Journal, Vol. XVII no. 2, Autumn, p. 78; October

2016    Stanley Spencer, The British Art Journal, Vol. XVII no. 2, Autumn, pp. 83-4; October

2016    Lucian Freud’s sketchbooks, The British Art Journal, Vol. XVII no. 2, Autumn, p. 88; October

2016    Francis Picabia, The Jackdaw, no. 129, p. 14; September/October

2016    Carlo Carrà, The Jackdaw, no. 129, p. 18-9; September/October

2016    “Brief Parnassus” (Abstract Expressionism), The Jackdaw, no. 130, pp. 11-2; November/December

2016    “Lost in France”, The Jackdaw, no. 130, p. 12; November/December

2016    “The changeable Californian” (Richard Diebenkorn catalogue raisonné), The Art Newspaper, vol. XXVI no. 285, section 2, p. 14; December

2016    “Anselm Kiefer: The Woodcuts”, Printmaking Today, Vol. 25, no. 4, pp. 40-1, Winter; December

2017    “Daubigny Reappraised”, The Jackdaw, no. 131, p. 16; January

2017    “Picasso’s Portraits”, The Jackdaw, no. 131, pp. 16-7; January

2017*  “Francesca Woodman: American Angel”, The Jackdaw, no. 131, pp. 17-8; January

2017    “Roland Penrose: The Life of a Surrealist”, The Art Newspaper, vol. XXVI, no. 286, section 2, p. 26; January

2017    R.B. Kitaj prints, Print Quarterly, vol. XXXIV, no. 1, pp. 113-7 ; January

2017    Andrea Büttner, Print Quarterly, vol. XXXIV, no. 1, p. 96 (unsigned); January

2017    “The grandfather of Post-Modernism” (Francis Picabia catalogue raisonné vol. 2), The Art Newspaper, vol. XXVI no. 288, p.30 (review section); March

2017    “Flaming June, Leighton House”, The Jackdaw, no. 132, pp. 18-9; March

2017    “The 17-18 War” (American Art of the First World War), The Jackdaw, no. 132, p. 12; March

2017    René Magritte, The Burlington Magazine, no. 1368 vol. CLIX, p. 227; March

2017*  Francis Bacon, The British Art Journal, vol. XVII no. 3, Spring 2017, pp. 103-4; April

2017    Kenneth Armitage, The British Art Journal, vol. XVII no. 3, Spring 2017, pp. 100-1 (unsigned); April

2017    Jason Martin, The British Art Journal, vol. XVII no. 3, Spring 2017, p. 113; April

2017    Degas drawings family collection, The Jackdaw, no. 133, p. 30; May

2017    letter, The Jackdaw, no. 133, p. 28; May

2017    “Monstrous Perfection” (Raphael drawings), The Jackdaw, no. 134, pp. 16-7; July

2017    “Why Are Artists Poor?”, The Jackdaw, no. 134, pp. 8-10; July

2017    “The Unrepentant Painter” (Guido Cagnacci, Sebastiano del Piombo), The Jackdaw, no. 134, pp. 20-1; July

2017    Oriel Ceri Richards Gallery, The Jackdaw, no. 134, p. 37; July

2017    Edward Ardizzone, The Burlington Magazine, no. 1373 vol. CLIX, pp. 646-7; August

2017    George Fullard, The British Art Journal, vol. XVIII no. 1, summer, pp. 92-3; August

2017    David Jones, The British Art Journal, vol. XVIII no. 1, summer, pp. 94-5; August

2017    Ida Johns letters, The British Art Journal, vol. XVIII no. 1, summer, pp. 95-6; August

2017    Victor Pasmore, The British Art Journal, vol. XVIII no. 1, summer, pp. 98-9; August

2017*  “New Order”, The Jackdaw, no. 135, pp. 6-10; September

2017    “Lost in Herefordshire” (Sidney Nolan, Canwood Gallery), The Jackdaw, no. 135, p. 23; September

2017    “Protean-rich Richter” (Gerhard Richter catalogue raisonné vol. 2), The Art Newspaper, no. 293, review p. 19; September

2017    Susan Point, Printmaking Today, vol. 26 no. 3, Autumn, pp. 40-1; September

2017*  “Canon Fodder”, The Jackdaw, no. 137, pp. 16-8; November

2017    “Lost in Bologna” (Bolognese museums), The Jackdaw, no. 137, pp. 22-3; November

2017    “Cosmopolitan Realism in 1900” (Anders Zorn), The Jackdaw, no. 137, pp. 29-30; November

2017    Sidney Nolan, The British Art Journal, vol. XVIII no. 2, autumn, pp. 85-6; November

2017    Roger Hilton drawings, The British Art Journal, vol. XVIII no. 2, autumn, pp. 91-2; November

2017    Leonora Carrington, The Burlington Magazine, vol. CLIX, p. 1002; December

2018    “In Living Colour” (Monochrome and Soutine), The Jackdaw, no. 138, pp. 12-3; January

2018    John Golding, The Jackdaw, no. 138, p. 37; January

2018    Renoir, The Art Newspaper, no. 298, review, p.15; February

2018    “The Arab Nude”, The Jackdaw, no. 139, p. 18; March

2018    “de Chirico and the United Kingdom (c.1916-1978)”, The Jackdaw, no. 139, p. 19; March

2018    Bosch and Bruegel, The Jackdaw, no. 139, pp. 20; March

2018    “Depraved and Decadent Art” (Modigliani and Glenn Brown), The Jackdaw, no. 139, pp. 21-3; March

2018    Alexander Calder, The Art Newspaper, no. 299, review, p. 30; March

2018    “The Birth of Soviet Man”, The Salisbury Review, vol. 36 no. 3, Spring 2018, pp. 39-40; March

2018    “Supports in Roman Marble Sculptures”, Sculpture Journal, pp. xx; March

2018    Geoffrey Clarke, The British Art Journal, vol. XVIII no. 3, 108-9pp; Winter

2018    Francis Bacon Foundation, The Art Newspaper, no. 300, review; April

2018    “Picasso: Lush and Linear”, The Jackdaw, no. 140, p. 21; May

2018*  “The Road to Reparation”, The Jackdaw, no. 140, pp. 18-20; May

2018    “Censorship in the UK”, The Jackdaw, no. 140, p. 10; May

2018    “Canon Fodder” (reprint), The Salisbury Review, pp. xx; date t.b.a.

2018    “Thomas Sowell: Disparity and Discrimination”, The Salisbury Review, pp. xx; June

Articles for every issue of The Jackdaw (bi-monthly), Salisbury Review (quarterly) and frequent book/art reviews for Spiked Online and 3rd Dimension websites.